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...following
the tradition of classical boys' choirs
The
boys' choir Pueri Cantores du Conservatoire de la Ville de
Luxembourg was founded in 1993. From 1987 to 1993, the choir worked on
a private basis until it was integrated into the Conservatoire de la Ville
de Luxembourg. The choir has become established thanks to the active support
of the headmastership of the Luxembourg Conservatoire, the Workshop of
Sacred Music, the boys' parents, the young singers
themselves and the patrons of the choir. The choir situates itself within
the line and the tradition of classical boys' choirs and has managed to
acquire a considerable amount of repertoire.
Pierre
Nimax jun. was born in Luxembourg in 1961. He started his musical studies
with his father, Pierre Nimax, and went on having organ lessons with A.
Leblanc and P. Drauth.
He
was awarded several prizes at the "Conservatoire Royal" in Brussels, among
which a First Prize in organ in the class of Prof. H.
Schoonbroodt. Pierre Nimax jr. then took up studies of sacred music with
Dr. Prof. R. Ewerhart at the "Hochschule für Musik" in Cologne. He also
studied composing with A. Müllenbach at the Luxembourg Music
Conservatory.
Since
1986, he has presided at the grand organ of St. Martin's Church in
Dudelange, Luxembourg. He has been a teacher of sacred music and organ
at the Luxembourg Conservatory of Music since 1991, where he also founded
a boy's choir, the "Pueri Cantores".
Pierre
Nimax jr. has given numerous recitals and concerts, both as an
organist and as a conductor, in Luxembourg, Belgium, France, Italy,
Spain, Germany and Japan; he has made several discs as well as radio,
television and film recordings, musicological publications and various
editions of music.
The
singers are all pupils or students of the Conservatoire. The choir
brings together boys and adolescents who show a special liking for
singing and who reveal a promising voice.
Voice
training is in the hands of Marie-Reine Nimax-Weirig. This
essential part of the boys' training within the frame of the program of
the Pueri Cantores, is crucial both for the tone-colour of each single
voice and the overall sound of the choir. This training is rendered
especially difficult, since the breaking of the voice may, in many
cases, occur already at the age of 12 or 13, so that the period of a
thorough artistic training of the individual boy's voice is limited to
a
few years only.
The organizers consider it as very important that the majority of the
adult members of the choir should already have been singing in the choir
when they were boys; in this way, the singers have at their disposal an
extensive knowledge of scores as well as an intensive vocal and musical
educational background.
Marie-Reine
Nimax-Weirig (Luxembourg) studied singing at the Royal
Conservatoire in Brussels with Jules Bastin, and with Loretta Clini and
Jacqueline Lainé in Mons, where she was awarded a Prix Supérieur. At the
Luxembourg Conservatoire, she studied singing and opera with Ionel
Pantea. She has appeared as a soloist in numerous concerts
(song-recitals, oratorio, opera) and has taken part in recordings in
Luxembourg, Germany, Belgium, France, Switzerland and Italy. She has
been a solfeggio- and singing teacher at the Luxembourg Conservatoire
since 1992.
Each
singer in the main choir is a student at the municipal
Conservatoire and studies solfeggio. He has tuition in one or several
instruments and attends the parallel courses.
He has at his disposal a voice that can be trained and developed and
that is being assessed by the conductor and the voice-teacher. Moreover,
his ear for music, musicality, power of concentration, pitch and intonation
are being judged. Before becoming a member of the main choir (at the age
of 9 or 10), the boy is part of the initiation choir, in
which he is being taught the basics of choral work. Admission to this
initiation choir can already be gained from the age of 4: this
precocious musical education is based on games, dance and imitation.
Choir-rehearsal:
-one hour twice a week
Voice-training:
- half an hour once a week
in groups of 3 to 4 singers
Initiation choir:
- one hour once a week
Singers
who reveal an outstanding vocal talent and musicality are given some solo
work. The concert-programs regularly feature pieces for one or more soloists.
Thus it often happens that one of the boys is entrusted with a solo-part
in an opera or oratorio, such as, among others, "Jeanne d'Arc au Bûcher"
by A. Honegger, "Elijah" by F. Mendelssohn or the A.L. Webber "Requiem".
The
repertoire stretches from Gregorian chant to contemporary music both sacred
and profane, including either works for treble-voice only, or for mixed
choir from four to eight voices. The diverse program of the performances
includes choral a-capella works, pieces for voice and instruments as well
as varied vocal combinations.
The choir regularly takes part in big oratorio productions. In the arrangement
of programs, special emphasis is put on Luxembourg choral music.
In
connection with the INECC (European Institute of Choral Singing), the
choir invited Jaume Miranda (conductor of the Vienna Boys' Choir from
1989-1993) and Pep Falco (musical assistant at the Escolania de Montserrat)
in order to hold choir-seminars.
The choir regularly organizes educational sessions, so for instance at
the youth hostels of Hollenfels, Schengen, Troisvierges, D-Marienburg,
where intensive work promotes both musical and social experiences. During
these musical encounters, a community of interests has given rise to many
a friendship and serves as a thorough basis for a harmonious
musical co-operation.
Ever
since they were founded, the Pueri Cantores have taken part in
numerous musical performances, such as the Printemps Musical in 1994,
the International Festival of Music in Echternach and within the
context of the Lunchtime Concerts in Luxembourg.
Concert work has taken the choir across the borders to Germany, Belgium,
France, Italy and Spain.
The Pueri Cantores have often been asked to sing at the grand ducal
court and were invited to sing at Princess Alexandra's baptism and at
the First Holy Communion of Prince Félix.
It was special honour for the choir to count Prince Guillaume among
its
active members.
Pierre
Cao; Eckhard
Weyan; Jaume
Miranda; Roland
Kaber; Carlo
Hommel
Capella
Vocalis Reutlingen; Domknabenchor
Riga; Ensemble
Vocal du Conservatoire de Luxembourg;
Chorale Mixte du Conservatoire de Luxembourg; Spee-Chor
Trier;
Madrigal du Luxembourg; Amis
du Chant Luxembourg; Psallette
de Lorraine;
Lëtzebuerger Männerkouer '89; Actor-
and producer Michael Lonsdale
1993-94:
Rome
Attendance at the International Pueri Cantores Congress in Rome,
participation in the musical part of the New Year's Mass at St Peter's
and the memorial service of O.di Lasso and Palestrina at the Basilica
Sancta Maria Maggiore, concert at the Gesu ëDivino Lavatore Church.
1996:
Catalonia/Spain
Concerts and musical services at the Cathedral of Barcelona, at the
university of Barcelona, in the baroque church of Sitges, at the
basilica of Montserrat and in the medieval abbey of St-Antoine/France.
Reception with the Consul for Luxembourg in Barcelona.
1996:
Germany Performances of the Bach Christmas Oratorio together with the
boys' choir Capella Vocalis Reutlingen at the Benedictine Abbey Maria
Laach, at Christ Church in Reutlingen and at the Protestant church in
Lauffen/Neckar.
1998:
Riga/Latvia Invitation to the Third International Festival of Boysí Choirs,
by the boysí choir of the cathedral of Riga.
At
Christmas 1994, the choir recorded the CD "Et in Terra Pax" in favour
of Caritas/Luxembourg.
In spring 1997, a second CD,"Hymnus-Paradigms of the Future", was produced
in connection with the 10th anniversary of the Benoy
Trustee.
Regular
contacts are being fostered with famous boys' choirs, such as:
the
boys' choir of Hannover;
the Escolania Montserrat/Catalonia;
Trondheim/Norway; Solothurn/Switzerland
Musical institutes:
CEDIME
(Centre européen de documentation et d'information des maîtrises d'enfants);
INECC (Institut européen de chant choral); Foederatio Internationalis
Pueri Cantores Europa Cantat
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